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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
即将失去抚养权的父亲,逼不得已成为模范父亲,用“坏”的方式教育女儿,笨拙又无条件。从不正常的家庭应对现代生活的反映,上升到了社会议题。有别于传统的法国喜剧。。。。
DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
来自与世隔绝的宗教社区的妇女们努力使她们的现实与她们的信仰相协调。通过背景故事,我们看到一个妇女社区聚集在一起,研究如何共同前进,为她们自己和她们的孩子建立一个更美好的世界。要么留下来战斗,要么离开。她们不会什么都不做。
1956年匈牙利革命后,一个男孩从小被母亲灌输了关于已故父亲的理想化故事,却突然遇到一个粗野的男人,对方声称自己是他的亲生父亲。
Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.
用户影评
爽!!!画风无可挑剔剧情也在线!!!错雨99!!!!!
给我笑成答辨了[:a笑哭:][:a笑哭:][:a笑哭:]
一会田十三,一会十七,一会十九,这字幕没人审核吗?
原來聞腳底板可以知道血脈我覺得一年不洗腳讓作者幫我檢測血脈[:a笑哭:]
家人们,谁懂23年过年更的漫画我24年过年看[:ypdxbq|心累:]
二刷的我来送福利啦[:a狗头:][:a嘿嘿:]
欢迎收看岁月是把杀猪刀系列
雨总[:zgxdheizi|yyds:]拿图吱声[:a可爱:]
口是心非,想给老婆就直说嘛,还找什么瘦的借口,懂的都懂🤭
为什么我看不到车啊?只能看到一个404啥意思啊?