上校夫人的年轻侄女们 Die Nichten der Frau Oberst (1980)

前“兵王”阿龙为寻找失踪女儿，孤身潜入血腥犯罪园区。从诈骗园区到器官黑市，他孤身对抗整个血腥系统，直到与幕后Boss昆麦展开最终决战……

　　1997年，一部来自挪威的惊悚片《失眠者》上映后获得好评，《芝加哥太阳报》的著名影评人罗杰，艾伯特给出了3星半的高分，他盛赞该片“不仅仅是一部惊悚片或动作片，而是一次心理学上的探索与学习”。两犯罪调查者到挪威北方一个镇帮助解决一个年轻的女孩的谋杀案，谁知陷入了巨大的困境之中。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster