三级薔薇之恋

　　Sore从未来穿越回过去，只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织，她与Jonathan的爱情也陷入无法逃脱的时间迷宫。

　　影片讲述中年男子马然为凑百万彩礼钱加入地产中介项目，却卷入诈骗案背负罪名，最终通过精心策划洗脱嫌疑并将诈骗团伙绳之以法，同时收获真爱的故事。

富豪私人派对上，一对男女忘我炒热气氛，只要金主敢玩，他们十倍奉还。白天，两人栖居小公寓照料幼子，她靠教舞维生，他则是潦倒音乐家。然而，手机里传来的加沙炼狱景象使他们焦虑，周遭人们却欢庆着血流成河，他们为了温饱，继续出卖灵魂。某夜，他收到酬劳可观的邀约，却必须将金主写下的魔鬼诗篇谱成新国歌。为了五斗米，他决定深入国族的集体创伤，寻找主旋律。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 这部电影设定在18世纪的英格兰，并“灵感来源”于真实事件，是一部关于宗教领袖安·李（Ann Lee）的“史诗寓言”，安·李是谢克教运动的创始人，且被她的追随者宣称为“女性基督”。

 某座美军废弃的地下工业基地，数年前因一系列恐怖事件而关闭。而今，无所畏惧的时尚男女在这里开启狂欢派对，纵情享乐之际全然不知危险将近。马特（Ross Thomas 饰）、米拉（Sofia Pernas 饰）、艾瑞克（Jeff D'Agostino 饰）、詹娜（Christine Evangelista 饰）、伊芙和斯托姆（Adrian R'Mante 饰）等六名好友在派对高潮和另一伙人发生矛盾，冲突过后，他们仓皇躲入一座地下设施内，结果却被对方反锁在里面。少顷曲终人散，马特他们遇见另外两个在此欢爱的男女。他们结伴寻找逃出去的路，谁知竟遭遇了恐怖嗜血的可怕生物。黑暗寒冷的地下，魔鬼的盛宴拉开序幕……