两个女人在有风景的海滩
剧情简介
“两个女人”中的一个失恋后，与“两个女人”中的另外一个中年女人一起出去玩儿，他们来到充满肉欲的海滩边儿，失恋女人以醉酒为常态。一次酒醉之后，在海滩上偶遇一个大屌丝，屌丝色心大起，将酒醉的女人醉奸了。随后爱醉酒的女人又喜欢上一个有腹肌的屌丝，但威猛屌丝先被中年女人睡了。随着情节一点点展开，它往诡异情色的方向继续发展下去了……
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
为什么我看不到车啊？只能看到一个404啥意思啊？
想念陈大师
原来雨总和饮料贩卖机差不多高吗|ω・）？
仇么儿大概全书战力在前十肯定有前五也差不多能
小说追了十天看完了，我原以为是无脑爽文，没想到居然是tm科幻片
好短啊[:a催更:][:a催更:][:a催更:][:a催更:]
那么问题来了，皇帝可以提前看名字嘛[:a狗头:][:a狗头:][:a狗头:]
跟沈浪这种人打架就跟蝙蝠侠打架一样，必须现场就打，不能约架，不然到时候怎么死的都不知道
雨总真的又帅又聪明呀
国君明着发怒就是没事，估计是恨沈浪没有野心，不成器
同类古装佳作
绝命47小时
两个不善社交的少女，一天晚上无聊，转向互联网寻找恐怖故事。他们在一个令人毛骨悚然的网络上找到了一个游戏，声称你可以用你的手机来召唤超自然...如果你输了比赛...你失去了生命
大器晚成2023
凯伦·吉兰、玛格丽特·苏菲·斯坦、杰梅因·福勒、凯文·尼伦、塔利亚·巴尔萨姆将主演喜剧新片《大器晚成》(Late Bloomers)，丽莎·斯蒂恩首导剧情长片，已在纽约杀青。 斯蒂恩的多部短片搭档安娜·格林菲尔德写剧本，松散基于她20多岁时居住在布鲁克林的经历，讲述露易丝(吉兰)是一个漫无目的的千禧一代，某天她醉醺醺地摔到了臀部，为此接受了物理治疗，在那里结识了一位不会说英语的年长波兰女士，两人成为了闺蜜。而正是这种不太可能的友谊让露易丝有勇气面对她一直在逃避的事情：她母亲的早发性老年痴呆症。 福勒饰演露易丝的室友/房东布里克，尼伦和巴尔萨姆饰演露易丝的父母。
无垢的证人
放弃作为人权派律师之路，在大型律师事务所为大企业工作的律师长谷部恭介（唐泽寿明 饰）。出于维护大所体面的方针，他以国选辩护人的身份，接手了一起资产家杀人案中被告家政妇的辩护工作。然而，被告家政妇主张自己无罪，称“我没有杀人，只是在对方试图自杀时想要救她”。 作为检方证人的，是案件唯一的目击者——住在对面的少女小池希美（当真亚美 饰）。长谷部得知希美患有自闭谱系障碍。通过不断前去拜访，他逐渐与她拉近距离、建立信任，但在法庭上，却不得不以证人与辩护人的身份与她正面相对……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.