24次曝光

新婚的萧灵儿（陆烟 饰）前往儿时的山间别墅度假。途中，诡异事件接踵而至，双生女童、深夜归来的守门人，让萧灵儿惊恐不已。次日，萧灵儿的闺蜜和前男友不请自来，守门人的儿子带着女友来见家长。更恐怖的是，一个神秘的红衣女孩如鬼魂般在深山老宅中闪现，勾起了当地流传已久的鬼娃玛丽传说。在这深山隔绝之地，鬼娃使众人陷入死亡之境。灵异现象频繁出现，血腥事件不断发生，等待众人的是一个埋藏多年的鬼娃复仇传说。

沙发帝国继承人Checco，过着奢华却空虚的生活。在50岁生日前夕，他发现叛逆的女儿Cristal失踪了，只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿，Checco被迫放弃豪车豪宅，背上背包踏上艰苦的徒步之旅。在朝圣之路上，他脚起水泡、遭遇各种意外，遇到了形形色色的朝圣者，逐渐理解了女儿的想法，重新认识了亲情与人生。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 一名探员和一名连环杀手组成了看似不可思议的小分队，共同对抗全球拐卖儿童和性奴贩运网络。