影片推荐
同类精选
残余记忆
汤姆·斯图里奇,Arsher Ali,Adrian Schiller寅次郎的故事31：旅行、女伴和寅
渥美清,倍赏千惠子,下条正巳,三崎千惠子,前田吟,太宰久雄,佐藤蛾次郎,吉冈秀隆,北林谷荣,樱井千里,柳原晴郎,木ノ葉のこ,山谷初男,梅津荣,人见明,关敬六,牧野佐代子,细川贵志,笠智众,中北千枝子,藤冈琢也,都春美蒙特利尔，我的美人
陈冲,夏洛特·奥宾,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang厨神下凡
庞雨浓 Yunong Pang,赵昱萱,苏健铨 Jianquan Su,岳冬峰,庞勇猪扒大联盟
李嘉欣,莫文蔚,林熙蕾,关秀媚,陈小春,冯德伦,黄浩然,杜德伟,郭少芸,陈键锋,许绍雄,卢海鹏,杜汶泽 Chapman To,邹凯光,叶竞生梦工厂
艾米利亚·舒勒,肯·杜肯,思文佳·永,安纳托·陶布曼,尼科莱·金斯基,海纳·劳特尔巴赫,莱恩·库德里亚维斯基,Milton Welsh,丹尼斯·莫因,威尔弗里德·霍赫霍尔丁格,阿克瑟·施奈伯,Lea Faßbender,萨比娜·巴斯,艾莲娜·萨尔瓦·冈萨雷斯,亚历山大·雅辛,托拜厄斯·劳特伯格影视排行
罗小黑战记2
山新,刘明月,朱婧,栾立胜,傅晨阳,言灵,陈啟刚,皇贞季,李璐,陈思宇,任景行小黑跟随师父在小镇上过着安宁日子，分会馆遇袭，打破了妖精世界维系多年的和平，来自妖灵会馆的“全新任务”也让两人陷入分离危机，更让师父无限的处境发生翻天覆地的变化。面对环环相扣的谜团，小黑与师姐鹿野共同开启了寻找真相的新冒险。这一次小黑能否经受住考验，顺利保护师父化险为夷？
死亡笔记
洼田正孝平凡的大学生夜神月（洼田正孝饰）跟在警视厅搜查一课上班的父亲夜神总一郎以及妹妹妆裕共同生活。某天，他捡到死神丢落在人间的笔记本，名字被写在这个本子上的人就会真的死去。开始，夜神月只是当成玩笑，把威胁好友鸭田的佐古田的名字写了上去，但是佐古田真的死掉了。佐古田的死让很多人感到高兴，而月也产生了一种奇妙的感觉。之后，月使用笔记的力量不断杀死罪犯，引起了国际刑警组织的注意，国际刑警组织邀请神秘的名侦探L（山崎贤人饰）来到日本，同夜神总一郎等人共同展开调查。从此，夜神月与L展开了生死对决。
梦工厂
艾米利亚·舒勒,肯·杜肯,思文佳·永,安纳托·陶布曼,尼科莱·金斯基,海纳·劳特尔巴赫,莱恩·库德里亚维斯基,Milton Welsh,丹尼斯·莫因,威尔弗里德·霍赫霍尔丁格,阿克瑟·施奈伯,Lea Faßbender,萨比娜·巴斯,艾莲娜·萨尔瓦·冈萨雷斯,亚历山大·雅辛,托拜厄斯·劳特伯格故事发生在1961年的德国，刚刚退伍的军人埃米尔（丹尼斯·莫因 Dennis Mojen 饰）来到了位于巴伯斯贝格的DEFA电影公司，他的哥哥亚历山大（肯·杜肯 Ken Duken 饰）在这里为弟弟谋得了一份差事，很显然，一个埃米尔闻所未闻的新世界即将在他的眼前展开。 在一次群演任务中，埃米尔认识了名叫米露（艾米丽亚·舒勒 Emilia Schüle 饰）的女孩，米露是当红女星碧翠丝（艾莲娜·萨尔瓦·冈萨雷斯 Ellenie Salvo González 饰）的舞蹈替身。米露优美的舞姿和温柔的个性很快就令埃米尔坠入了情网，在一连串火热的攻势之后，米露总算答应同埃米尔共进晚餐。可是，米露第二天就要回法国了，埃米尔决定在自己的爱人离开之前，送给她一份惊喜。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment