祖儿在非洲
剧情简介
Joy与她的情人Marc决定去非洲度过一个“梦幻周末”。刚下飞机，这对夫妇便遇到一个叫Paul的男人，他邀请他们共度一个“非常特别之夜”，他们高兴地同意了。但Marc的背叛令Joy非常伤心，于是她决定逃走..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
反转一直反转！[:a狗头:][:a可爱:]
长的还挺帅，可惜了
於是越王就把蘭瘋子變成太監帶在身邊了[:a笑哭:]
画风巨牛逼，剧情也依旧震撼，圈外人来了都得感叹一句我艹的程度
浅仿一下，勿喷，谢谢！
强得可怕？
卧槽！我本以为是两刀，没想到一刀连人带马首一起斩了，这斩击威力是有多大啊！！！
居然不给看看那十个人什么情况
拿图的吱一声
好好好好好好好好好好好好好好好好好好好好好好好好
同类古装佳作
来聊聊须绪美吧
三谷幸喜自编自导。大富豪的妻子须绪美突然失踪，在得知她失踪后，在丈夫居住的豪宅集结的是爱过她的5个男人。但是他们所说的须绪美，无论是外表还是性格，都像是换了一个人。那么，到底须绪美的真面目是什么呢？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迈克·艾普斯：异想天开
Comedian Mike Epps has inked a deal with Netflix for his new special, Delusional, which will premiere on the streamer on January 27.
恶魔在上
Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.