丈母娘与继母的激烈爱抚技巧

　　一晃十年过去，地球人和虫族的战争如火如荼，愈演愈烈。某日，空军元帅奥玛•阿诺克（斯蒂芬•霍根 Stephen Hogan 饰）来地球人的远方农场罗库山视察，时任上校的强尼•瑞克（加斯帕•范•迪恩 Casper Van Dien 饰）也一同前来。在此期间，阿诺克的心智被虫王操控，他切断了隔离区的电力，使基地完全失去保护。是夜，虫族对隔离区发动总攻，地球军虽顽强抵抗，终因寡不敌众而告败，基地陷落。阿诺克则和一干心腹逃离，飞船迫降在OM-1行星。　　瑞克因失职被军事法庭判处绞刑，行刑之际被政府秘密部门救下。阿诺克知晓联邦舰队基地所在地的秘密，一旦被虫族得知将不堪设想。因此政府高层要求瑞克带上一队人马，前去营救受困的阿诺克……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　由21 个闹剧穿插一部科幻短片组成的闹剧，导演罗伯特（《怪异的阿尔 杨克维奇》）、约翰（《动物屋》）等等都是环球影片公司的一线导演，他们的共同特点就是在搞怪搞笑方面各有绝招。这些短片大都是对美国夜间电视节目和低成本科幻片的戏仿，故事包括一个男子受到他所住的房子攻击、一场由喜剧演员主持的葬礼和被吸进电视机里的人等等。　　眼花缭乱 满嘴放炮

　　一位身无分文的同志演员和一位因生意失败而陷入困境的高层人物在一个冬夜相遇，并联手在伦敦各地寻找他们悲惨生活的意义，但当他们看似不可能的联系变成了更深层次的东西时，来自过去的恐惧和心魔开始危及他们的生活。