旁观者

 风流不羁的房地产销冠江来（吴翊歌 饰），为利益化身“深情画家”，步步为营接近倔强女医生李梦（李萌萌 饰）。他算计利益得失，她却赌上了余生信任，他们之间，连错过都像一场预谋。一场以利益为起点的相遇，却让他在这段关系中动了真心，在情感与利益中疯狂撕扯。当真相被揭开时，这场以欺骗开场的相遇，能否在真心面前低头？是选择放手，还是为爱再赌一次？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。

　　挚友雷文和粉红公主在令人闻风丧胆的海盗、七海之王剑齿虎船长的麾下服役。狡猾的格罗尔伯爵夫人西比拉袭击了他们的船，偷走了珍贵的船首像并绑架了粉红公主—这一切都是她精心策划的，旨在诱捕剑齿虎船长，征服海盗的家园。

　　An L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.