温顺的妻子：色女的复仇

　　一个出生在印第安区的黑人女孩意外继承了一片充满石油的土地，汹涌的黑金下，她将面对攫取、迫害、偏见、中伤，并用她的意外横财去帮助他人。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

一家人面对13岁的贝尔蒂尔（Bertille）未确诊的病症时陷入挣扎。姐姐玛丽昂（Marion）在一段感情中找到慰藉。新的诊断改变了他们的未来，为贝尔蒂尔和她的家人带来了希望和继续前行的可能性。

　　故事发生在位于伊利诺斯州的哈登菲尔德小镇。臭名昭著的杀人狂迈克尔（泰勒·梅恩 Tyler Mane 饰）终于倒在了少女劳利（丝柯·泰勒-考普顿 Scout Taylor-Compton 饰）的枪下，然而之后他的尸体却神秘的消失了，与此同时，在医院里，出现了一个身份诡异而又神秘的病人，又一场血腥的杀戮即将拉开序幕。　　幸运的劳利再一次的从迈克尔的屠刀下死里逃生，可是，巨大的阴影始终笼罩在她的周围，因为她知道，迈克尔一天不死，就总会再度回到她的身边。一晃眼一年过去，万圣节又要来了，与此同时将要举办的，是死难者的纪念会。劳利能够感觉到，一双熟悉的眼睛正在默默的注视着她。