我是另一个

　　在饱受干旱困扰的小镇中，一个拉美裔家庭给他们唯一的儿子取名为“帆船”。帆船给他的家人带来了新的爱和希望。一天下午他带回了一把小吉他。从这一刻起，帆船和他的吉他形影不离。病重的祖母希望他为她写一首歌，帆船迎难而上，创作了有史以来最伟大的歌曲。

 夏洛特（贝蒂·戴维斯 Bette Davis 饰）已经能算得上是一个老姑娘了，她梳着呆板的发型，穿着保守的服装，性格也古里古怪的，更糟糕的是，她似乎还染上了酗酒的坏毛病。在家人的建议之下，夏洛特决定踏上治疗心灵的旅途，登上了驶往远方的游轮。在游轮上，夏洛特邂逅了名为杰瑞（保罗·亨雷德 Paul Henreid 饰）的男子，并且在误打误撞之中和杰瑞的女儿结下了深厚的友谊。很快，夏洛特就感到自己坠入了情网之中，然而，此时的杰瑞并不是自由身，他有这一段无法结束的婚姻。心碎的夏洛特选择了离开，而夏洛特的母亲也在不久之后撒手人寰。

　　影片改编自真实故事，讲述两名时运不佳的音乐人（休·杰克曼与凯特·哈德森 饰）组成一支充满欢乐气氛的尼尔·戴门致敬乐团，证明了寻找爱情和追逐梦想永远不会太晚。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster