公公的淫之手

 由于两年前揭发同僚贪污，台北警官黄火土（梁家辉）被上级报复调入冷门的外事组工作，利益也曾连带受损的新同事对他怒言相向，加上妻子清芳（刘若英）受不了他长期不回家要求离婚，黄火土感觉他的世界正在逐渐四分五裂。就在此时，三宗受害者的身份并无关联的震惊了台湾社会的离奇命案发生，法医（杨贵媚）验尸发现他们都是因中一种神秘的黑霉菌产生幻觉而死，因为缺乏此方面的人才，当局从美国请来此种案例的侦办专家凯文莱特（David Morse）协助破案，黄火土重被任用。随着一桩令所有人都目瞪口呆的事实的被发现，一场围绕政治利益与民众利益的斗争也在黄火土和办案伙伴李丰博（戴立忍）及整个警察队伍之间展开。

　　《火箭人》（The Rocketeer）是迪士尼１９９１年推出的电影，故事题材是由 Dave Stevens 同名的图文小说改编而成。　　本片是发生在１９３０年代的好莱坞，有一个军方的秘密武器意外落在一位竞技表演飞行员 Cliff Secord 手中，他对此一推进器颇感惊奇， 最后他背上了这付怪东西、戴上面具，成了行侠仗义的『火箭人』，然而各方人马都想夺得这项秘密武器，尤其有一位好莱坞影坛的知名男演员 Neville Sinclair ，他其实是纳粹潜伏在好莱坞的情报份子，为了夺得火箭，他还挟持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展开他的救援行动。　　本片由《亲爱的我把孩子缩小了》、《野蛮游戏》、《侏罗纪公园３》以及《百胜天龙》影集的知名导演 Joe Johnston 所执导，他同时也是《星际大战》系列的特效大师。至于演员方面，男主角 Cliff 由 Bill Campbell 担任，女主角则是 Jennifer Connelly，至于片中那位大反派间谍演员，则是由曾演过００７的 Timothy Dalton 担任。　　本片配乐的是 James Horner ，原本原声带都已经绝版多年，但在前几年《铁达尼号》造成发烧的时候， James Horner 的作品又造成热潮，迪士尼旗下的好莱坞唱片于是再版发行了这张电影原声带，如今则又绝版了。

　　知名电视财经专家李·盖茨（乔治·克鲁尼 George Clooney 饰）在电视财经节目《金钱怪兽》中担任主持人而声名大噪，在节目中经常出现疯狂举动，会大声说出投资建议，不时在节目中用搞笑的道具和音效介绍股市。然而，事实上他是透过内线消息让他在华尔街成为赚钱高手。一名不速之客（杰克·奥康奈尔 Jack O'Connell 饰），因为听信投资分析而赔光积蓄，因此在节目直播中绑架了盖茨与节目制作人帕蒂·芬恩（朱莉娅·罗伯茨 Julia Roberts 饰）。同时全国民众也透过电视在看着这场玩命直播，而这场挟持行动也揭发了背后更巨大的金融操弄丑闻。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.