波多野结衣之忆青春飘逝 JUX 254

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 来自与世隔绝的宗教社区的妇女们努力使她们的现实与她们的信仰相协调。通过背景故事，我们看到一个妇女社区聚集在一起，研究如何共同前进，为她们自己和她们的孩子建立一个更美好的世界。要么留下来战斗，要么离开。她们不会什么都不做。

　　影片聚焦布鲁斯·斯普林斯汀打造1982年的著名专辑《Nebraska》时期，作为年轻音乐人的他努力应对成功的压力，和令人困扰的过往。

　　本片讲述了主人公苏尔因醉酒的一张自拍在网上疯狂流传后被取消享有奖学金的资格，她的任课教师也受其牵连，并怒斥苏尔。但苏尔对于醉酒的当晚发生的事情毫无记忆。于是，她开始向朋友寻求帮助以究其原委。