波多野结衣之忆青春飘逝 JUX 254
剧情简介
青春洋溢的大嫂數年照顧重病在床的哥哥,悲痛憂心哥哥的健康,而美麗青春的軀體在寂寞的夜晚中哭泣枯萎,但在弟弟眼中那年青艷麗的花朵誘惑著心中禁忌的愛戀,烈焰的情感終就是必須破繭而出。
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系列作品时间线
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
来自与世隔绝的宗教社区的妇女们努力使她们的现实与她们的信仰相协调。通过背景故事,我们看到一个妇女社区聚集在一起,研究如何共同前进,为她们自己和她们的孩子建立一个更美好的世界。要么留下来战斗,要么离开。她们不会什么都不做。
影片聚焦布鲁斯·斯普林斯汀打造1982年的著名专辑《Nebraska》时期,作为年轻音乐人的他努力应对成功的压力,和令人困扰的过往。
本片讲述了主人公苏尔因醉酒的一张自拍在网上疯狂流传后被取消享有奖学金的资格,她的任课教师也受其牵连,并怒斥苏尔。但苏尔对于醉酒的当晚发生的事情毫无记忆。于是,她开始向朋友寻求帮助以究其原委。
我只是大自然的搬运工
这话想起某人想喝寡姐的洗澡水[:a滑稽:]
苏氏前面不是被灭族了后面怎么又有苏氏
哭死我了呜呜呜呜呜呜呜,小情侣快点结束这趴吧,瑞瑞快点好起来
她是混军营的啊。。。就算手下不敢当她面讲,难免有私底下口花花被听到的时候,她能不懂?
蛙趣,要一口气看完了但是只有20话,感觉好少哦,不够看
沈浪这招有点下三滥了。可否再下三滥些[:a狗头:]