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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
丧尸特警
两位壮汉刑警在调查一起银行劫案时,发现犯罪分子居然个个刀枪不入。根据线索,他们找到一家公司,似乎最近的很多案件都和这家公司的一个秘密实验室有关。后来,此两位硬汉在与犯罪分子的斗争中不幸相继殉职,但这恰好给他们创造了机会——两个人亦成为试验品,他们的尸体即将被一个怀揣着极大阴谋的邪恶博士所利用……然而,哼哼,英勇的人民公安是不会向犯罪集团低头的,you can't keep a good cop dead!
亭亭凤凰台
该片以诗圣杜甫创作凤凰台为引,讲述了三位甘肃成县人士回乡参加乡贤大会时,揭开了一段深埋于记忆长河的往事。
我的的士爸爸
影片主要讲述了一名出租车司机搭载了一名沉默寡言、行为异常的小女孩,偶然的一次搭载让出租车司机和陌生的小女孩卷入了一连串充满疑云的事件中,引发观众对人性、信任与危机的深度思考。
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观影评论
只能当爽文看,无论在哪一部剧,沈浪这种行为都是无脑,没有任何谋略可言
声声不着急慢慢画我能等໒꒰ྀི´꒳`ྀི꒱১
这个同框,封神可以吧[:a快乐:]
作者,希望边境会猎画的精彩点,不要让大家失望啊!
有点烦了!!又要等下个星期。。要不主笔在加一卷!
一句话,长安荔枝使,有些人再怎么努力就是全力引导根本会不会在她身上,沈就是大佬才不管你们这些渣渣
世界名画《王菠萝的微笑》
又充了50张永久卷希望你硬一点,不要像我为邪帝,大周仙吏那样,突然就痿了……