天堂:爱

⭐ 9.0 播放:35万 2026-07-12
主演:玛利亚·霍夫斯塔尔,玛格丽特·提塞尔,Inge Maux,Peter Kazungu,Gabriel Mwarua,Carlos Mkutano

《天堂:爱》线上看,由尤里西·塞德尔导演,玛利亚·霍夫斯塔尔,玛格丽特·等演员领衔主演,影片主要讲述了特丽莎(玛格丽特·提塞尔 Margarete Tiesel 饰)是一名看护士,年近五十的她早已经失去了曼妙的身材和清秀的面庞,然而,她却并没有失去追求爱的自由的权利。带着渴望被爱的愿望,特丽莎来到了火辣热情的非洲肯尼亚海滩,在那里,许多身材壮硕健美的年轻男孩等待着那些像特丽莎一样的年长女人们,他们将她们称之为糖妈妈。 生日那天,特丽莎的朋友们给她送了一份别出,天堂:爱"

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剧情提要

《天堂:爱》线上看,由尤里西·塞德尔导演,玛利亚·霍夫斯塔尔,玛格丽特·等演员领衔主演,影片主要讲述了特丽莎(玛格丽特·提塞尔 Margarete Tiesel 饰)是一名看护士,年近五十的她早已经失去了曼妙的身材和清秀的面庞,然而,她却并没有失去追求爱的自由的权利。带着渴望被爱的愿望,特丽莎来到了火辣热情的非洲肯尼亚海滩,在那里,许多身材壮硕健美的年轻男孩等待着那些像特丽莎一样的年长女人们,他们将她们称之为糖妈妈。 生日那天,特丽莎的朋友们给她送了一份别出,天堂:爱"

幕后花絮

小鬼闹非洲

  生活在南非的土著族黑人少年祖鲁(John Matshikiza 饰)与白人少年雷诺(Leon Schuster 饰)曾是无间的好友,然而,一名来自美国的白人女孩罗怡娜(Terri Treas 饰)的到来彻底改变了祖鲁的生活。罗怡娜对黑人持歧视态度,经常欺凌祖鲁,让他心爱的女友也离开了他前往美国。25年后,祖鲁因盗窃罪被捕入狱,被押送回南非继续服刑。在途中,他偶然抢走了南非反政府右翼分子头目代尔哈德(Wilson Dunster 饰)的汽车和一张价值50万元的兑奖券,与多年未见的好友雷诺巧遇。他们一起前往萨恩城,意外获得了50万元的巨额奖金。  与雷诺离婚后,罗怡娜已与代尔哈德同居。得知祖鲁和雷诺获得了巨额奖金后,代尔哈德恼羞成怒,决定追捕并处死他们,为了夺回这笔钱财。他们展开了一场生死较量,在逃亡的途中,祖鲁和雷诺不得不面对种种困难和危险,与时间赛跑,力图保住他们的生命和所得奖金。

嗨,妈妈!

  In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment