雾霭像女人一样低吟

　　是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片，主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人，幸运之神似乎从未光顾过他，因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而，有一天迪奈勒买彩票，意外中了大奖，这让他重新燃起了生活的希望。但他似乎高兴过了头，导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。

　　导演崔东勋的最新“群星阵容”外星人题材科幻大片将于2020年初开机。此前因为确诊鼻咽癌而错过与之合作的金宇彬有望通过该片回归影坛，同时加盟的演员还有柳俊烈和金泰梨。　　崔东勋导演的这部科幻新作会有外星人登场，将是一部“讲述2019年在韩国生活的外星人 的故事”。据称该片可能会同时拍摄1、2部，最近第一部的剧本初稿已经完成，目前正在创作第二部剧本。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster