把教授玩坏了

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

守株人

　　该片是心理悬疑风格的影片。八年前，一场古董事件导致了相依为命的奶奶死于非命，正值妙龄的佳佳（杨紫 饰）又不得不面对父母离异的现实。家庭的破裂、死去奶奶的噩梦缠绕，好友的突然瘫痪，而此刻令人毛骨悚然的文物贩子伺机出动，各种不解之物正等待时机向她发起进攻，直到她变成了守株人……

老板和小可爱

烛影危林

　　A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.