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系列作品时间线
An exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.
两位壮汉刑警在调查一起银行劫案时,发现犯罪分子居然个个刀枪不入。根据线索,他们找到一家公司,似乎最近的很多案件都和这家公司的一个秘密实验室有关。后来,此两位硬汉在与犯罪分子的斗争中不幸相继殉职,但这恰好给他们创造了机会——两个人亦成为试验品,他们的尸体即将被一个怀揣着极大阴谋的邪恶博士所利用……然而,哼哼,英勇的人民公安是不会向犯罪集团低头的,you can't keep a good cop dead!
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
未来世界能源枯竭,食物短缺。雷恩醒来,三名蒙面人将他和女友劫持,他奋力挣脱却从楼梯摔下。雷恩再次醒来,发现自己经历着同样的一天。他告诉女友汉娜,却发现汉娜和蒙面人是一伙的。雷恩才发现,他们都陷入了自己制造的ARQ能源机引发的时间循环中,而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司,雷恩和汉娜再次进入无限的循环...
越王是真的巴不得沈浪是自己儿子,可惜不是[:a滑稽:]
为什么想集齐这么难
你俩牵着手走呀!
他叫钱错?!我一直以为叫钱借
还是姑姑好看
“哥,哥,我说说的,我练我练,快放我下来,我还有口气还能抢救一下”[:a狗头:]
那他干嘛不改造下自己?不打架也能强身健体啊