情色马拉松

　凯拉（劳拉·乔丹 Laura Jordan 饰）、梅丽莎（尼姬·埃克斯 Nicki Aycox 饰）、鲍比（尼克·扎诺 Nick Zano 饰）和尼克（凯尔·施密德 Kyle Schmid 饰）等四个年轻人正驱车前往拉斯维加斯，准备参加那里举行的聚会。他们的车载半路抛锚，四人寻求帮助时在荒野找到一座空无一人的房子，继而在仓库里找到一辆跑车。经过一番讨论，他们决定留下联系方式，暂时把车开走，并负责赔偿车主的损失。                                                                    　　然而他们的想法过于天真，这辆汽车的主人正是恐怖的锈钉（马克·吉本 Mark Gibbon 饰），凯拉等人破门而入和偷走汽车的行为彻底惹恼了他，锈钉的疯狂狩猎也随即展开。凯拉等人命悬一线…

　　Five haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…

　　美剧《光晕：夜幕降临》剧情是紧接《Halo4》和《Halo5》，其中游戏人物Jameson Locke(Mike Colter饰演)将继续扮演核心角色，他即是一个“传奇的赏金猎人”，同时也是美国海军情报局的特工。　　在预告片中，Jameson Locke和他的团队陷入到一场有预谋的生物攻击之中，在那里他们很快发现了这个阴谋，他们随后被带到了一艘远古的飞行器里。在那里他们被迫“为生存而战，并对一切事物保持猜疑”，最终在忠诚和生存之间做出抉择。　　最后微软也表示，这部美剧《光环：夜幕降临》将与《光晕》士官长典藏版同期上映，预计从11月11日开播。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.